What we need to learn from Linkin Park frontman’s death

(CNN) May tragic day for the music sector. The lead singer of Linkin Park, Chester Bennington, was found lifeless in his Los Angeles home at 41 . Sadly authorities were dealing with the case as a possible suicide. Eerily, Bennington died on what would’ve been their dear friend Chris Cornell’s 53rd birthday — the Soundgarden frontman hung themselves on May eighteen, 2017. Both men are now component of a long, disturbing history of rock and roll plus untimely death.

Linkin Park was a innovative rock band that shattered the music sector with 2000’s “Hybrid Theory. inch In an era of overly nice pop music with boy groups and copycat starlets, the group was obviously a refreshing mix of angst, grit plus raw emotion.

Chester Bennington’s melodic but rugged voice assisted spawn rock classics like “In the End, ” “Numb” and “What I’ve Done. ” Arguably, certainly one of Linkin Park’s most brilliant (and unexpected) moments was pairing along with Jay-Z for 2004’s “Collision Course . ” The album was a mashup of Jay and Linkin Recreation area, and launched the single “Numb/Encore. ” Not since Aerosmith plus Run-DMC did “Walk this Way” had people heard this ideal fusion of rock and hiphop. The six-track album was vitally acclaimed and a smash hit, going to primary on the Billboard album chart plus selling over two million duplicates.

One thing no one can refuse is the significant pain in Bennington’s voice. He clearly purged their anguish through his music. Bennington was open with his history of mistreatment and struggles with drugs plus alcohol, which he claimed assisted him create some of the band’s greatest songs. When describing the music “My Suffering, ” he informed the music website Noisecreep. com last year it’s “literally about (how) becoming an alcoholic and a drug addict provides paid off for me in many ways. I have been capable of tap into all the negative things that could happen to me throughout my life by numbing myself to the pain, so to speak, plus kind of being able to vent it via my music. ”
He said that one more song, “Crawling, ” is “probably the most literal song lyrically I would ever written for Linkin Recreation area and that’s about feeling like I had developed no control over myself in terms of medicines and alcohol. That feeling, having the ability to write about it, sing about it, that will song, those words sold numerous records, I won a Grammy, I made a lot of money. I do not think I could’ve been inspired to produce something like that by watching another person go through that. So in a great deal of ways that’s been very constructive for me personally. ” This sentiment is unfortunately familiar for many artists who are certainly struggling with pain or addiction and find out the battle as a space associated with creativity.

    Linkin Park singer on his past, medication use (2009)

Tragically, when I consider artists like Kurt Cobain, Bob Cornell and so many more, I can’t assist but wonder what is the price regarding singing the lifelong blues? Is it necessary to suffer for your art to create? Also back to the days of Janis Joplin, Jim Morrison and Jimi Hendrix, all of whom died too younger, these artists were living every single note, lyric and chord of the music.
Certain, pain and angst create excellent music. But considering the phenomenal performers we have lost in the past few years in order to suicide and inner demons, it really is long past time to prioritize true mental health over the sporadic catharsis of bars and chords. Based on Wellness. com , musicians are 5th in the top ten professions with higher rates of depressive illness.
If you make a decision to not suffer for your art, are you able to still be a great artist? The answer is definitely, yes. When Adele released the girl “25” album, she admitted she’d no longer thrive off of depression to generate. When Mary J. Blige has been criticized for “getting happy, inch she specifically told me in an job interview for BET. com, “Some of these (fans) are mad at me personally for making the switch, but I actually would’ve died over there. Actually, I’d be six feet below. ” Thankfully, Mary and Adele made the switch.

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I hope there is a lesson that can be discovered in the deaths of Chris Cornell and Chester Bennington. We need to assistance our artists to be healthy plus loved even when they evolve from the sadness that inspired our favorite tunes. Depending on pain to create is a harmful road to travel. I can’t help yet wonder about the sonic and vocal splendour we will, now, never get through Chester Bennington.
Long live a god associated with rock.